Casablanca Analysis

November 26, 2017

Join Andrew Martino and William Ivers as they critique what may be considered the most enduring film of Hollywood's Golden Age. 

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The Magnificent Ambersons

July 22, 2017

Is it a Welles' flawed masterpiece, or just a masterpiece? 

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One Flew Over the Cuckoo’s Nest

March 18, 2017

One of just three films to win all five major Oscars, One Flew Over the Cuckoo's Nest explores the power of the human spirit and how it can triumph in the face of oppression. Join The Classroom Critics as they analyze this Milos Forman masterwork.  

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The Third Man

February 1, 2017

Recorded "live" and in black and white from a dark meeting room on the SNHU campus, Dr. Andrew Martino and William Ivers discuss Carol Reed's noir masterpiece, The Third Man--perhaps film history's most irresistibly bizarre classics. 

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Psycho Analysis

November 12, 2016

The Classroom Critics would like to offer this new podcast as a short respite for these troubled times--a light-hearted critique of a warm, feel-good classic...Psycho.   

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Unforgiven Analysis

August 8, 2016
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Star Wars Podcast

August 8, 2016
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On the Waterfront

August 8, 2016

A political allegory, a morality tale, a crime drama…Elia Kazan’s multilayered masterpiece, On the Waterfront, is a film that has seen its share of controversy since its debut in 1954. On this edition of The Classroom Critics, Andrew and William are happy to be joined by Barry Steelman, host of Concord, NH TV’s On the Marquee program. 

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The Godfather Analysis

July 22, 2016

More than a mafia film, Francis Ford Coppola's The Godfather is widely regarded as a transcendent example of master story-telling on film. Join Andrew Martino and William Ivers as they analyze this essential American classic.   

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Annie Hall Analysis

July 7, 2016

Annie Hall is a milestone in Woody Allen's prolific career, marking a turning point from his earlier, gag-driven comedies. But what makes this film so unique? Join William Ivers, Walter Freeman, and Michael Mulvey as they discuss the film that won the 1977 Best Picture Oscar.  

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